![]() I then sent the Footage_proxy and Selects bins to Premiere and proceeded to *successfully* "Reconnect Full Res Media" for my master files (see second screenshot) but my subclips do not carry over that Full Res Media reconnection. These proxy files I have reviewed and made subclips of in Adobe Prelude (see screenshot). #Premiere pro 2.0 create subclip 720pI became a fan because of the logic of it, and particularly liked the idea of being able to keep the master media on my Thunderbay RAID5 array and the proxies on my USB3 drive for travel / speed.įast forward, I have transcoded all my footage into H.264 720p proxy files (I have since learned that H.264 using temporal compression makes it less than ideal for a proxy file but don't have time to re-transcode them into ProRes or Dnx). I know some people would just edit with the primary media Prelude was being sluggish (taking forever to open / lagging with the clips, particularly the 4K clips) so I started to explore a proxy workflow. ![]() For this project I am shooting on an assortment of cameras, one of which shoots 4K on a 2015 MacBook Pro 2.5 Ghz, 16GB RAM, media on USB3 external drive. ![]() I have a personal affinity for ingesting and logging my footage in Adobe Prelude before moving it into Premiere for the edit. For the past few days I have been struggling through a workflow issue.
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